We've been thinking a lot about social roles, stereotypes, typecasting, categorization, and genres. We wonder how meaning is put together at all and how memories are formed in the first place. We collaborate, but mostly to figure out what it means to speak together, two as one. We think that we're always operating within at-hand, prescribed categories, but that these categories are fundamentally unable to accommodate the experiences they are meant to frame. As our own lives become more and more fragmented, each role is fulfilled by an increasingly abstract approximation. Soon there may be nothing there at all. We've gotten to this point after trying many different strategies: exhaustive categorization, recreation and reenactment, automation, miniaturization, and most recently full outsourcing and personal replacement. What follows is a report on our progress.
Jennifer and Kevin McCoy's multimedia artworks examine the genres and conventions of filmmaking, memory and language. They are well known for constructing subjective databases of existing material and making fragmentary miniature film sets with lights, video cameras, and moving sculptural elements to create live cinematic events. Recently they have begun to include autobiographical references in their projects. The McCoys' work have been widely exhibited in the US and internationally - their most recent shows include Museum of Modern Art in New York, BFI (British Film Institute) Southbank in London, Hanover Kunstverein, The Beall Center in Irvine, CA, pkm Gallery in Beijing, The San Jose Museum of Art, Palazzo della Papesse, The Addison Museum of American Art, The Nevada Museum of Art, and Artists Space in New York. Their work can be seen in the collections of the Museum of Modern Art, The Metropolitan Museum of Art, the Milwaukee Art Museum, and the Speed Museum. They were the 2005 recipients of the Wired Rave Award for Art.
-- As of 4/12/09